Project description

I explore the intersection of pattern in food systems and art. Using these subjects, I study the process of pattern making, both cultural and visual.

In 2020 I co-founded Wilbie Farm, a one-acre diversified vegetable farm on Vashon Island, Washington. Farming carefully selects and recreates natural processes to produce food efficiently. I thought about patterns within food systems, how communities form around food, and how the production of art can mirror patterns within farming, fishing, hunting, and foraging. I began exploring these ideas by looking at the domestication of social animals, living in schools and flocks, and how these animals are used by humans physically (food, material, and companionship) as well as figuratively (personification, anthropomorphism, and symbolism).

I cultivated my project by focusing on the creation and distribution of reproducible pieces that are made from prints, digital drawings, and animations (GIFs). Through digital distribution, my work establishes social spaces that mimic the larger cultural phenomena of societal reproduction.

Photograph of different varieties of lettuce growing together and a photograph of edible flowers in an orange basket
Photographs of Wilbie Farm, Vashon Island, WA, 2021.
A color coded graph that functions as a crop map for Wilbie Farm
Crop Map for Wilbie Farm, 2020 - 2021.
Photograph of a lettuce head on a blue background and a photograph of a hand holding a radish
Photographs of Wilbie Farm, Vashon Island, WA, 2021.
A color coded graph that functions as a crop map for Wilbie Farm
Crop Map for Wilbie Farm, 2020 - 2021.
Compilation of Pattern Animations, 2021.
Pattern Animations

I made collections of  physical, digital, and animated patterns sourced from natural patterns. I was particularly interested in pattern as instruction, expectation, and behavior.

Compilation of Gallery Animations, 2021.
Gallery Animations

My work mimics the aesthetic of installation. I wanted pieces that could be reproduced and distributed endlessly while also referencing the gallery environment. My digital drawings of galleries are not proposals of “real” spaces, but rather an essential feature that allows my patterns and animals to be fully immersed within the art world ecosystem.

Installation in a digital drawing of a gallery space
Six Feet Under, digital drawing made from paper collages, 2021.
Image of installation in digital drawing of gallery
Egg Basket, digital drawing with QR code (links to Egg Shells, see video of Pattern Animations above), 2021.
A booklet and a pamphlet being held by a hand in front of a white background
Instructional Booklets: Left: Man-made Pond, 6 x 8.5 in, 2021 / Right: Teach a Man to Fish, 4 x 8.5 in, 2021
A booklet and a pamphlet being held by a hand in front of a white background
Instructional Booklets: Left: Bird Cage, 6 x 8.5 in, 2021 / Right: Building a Chicken Coop, 4 x 8.5 in, 2021
Artist Bio

My creative practice has two main facets. The first is as a visual artist, working primarily in paint, textiles, and installation. The second is as a farmer. During 2020, I co-founded Wilbie Farm with my sister. It is a project based on our interest in regenerative agriculture practices that work in conjunction with the environment, instead of against. The farm has taken years to plan and is deeply embedded into my artistic research, subject, and approach. Farming, like art, is a practice of balance and problem solving. Both are human constructions that are influenced by and responsive to the surrounding environment, situation, and people. Farming is a grounding force, while art allows me to re-envision the patterns around me.

Photograph of Wilbie Farm Market Stand at Vashon Farmers Market, 2021
Photograph of Wilbie Farm Market Stand at Vashon Farmers Market, 2021
Photograph of Wilbie Farm and a photograph of a greenhouse after a snowstorm
Photographs of Wilbie Farm, Vashon Island, WA, 2021.
Photograph of a growing cabbage and a photograph of a butterfly on flowers
Photographs of Wilbie Farm, Vashon Island, WA, 2021.
Skills & Experience
  • Exhibition at The Power Plant Gallery, “Truth to Power 8,” Durham, NC (Aug-Oct 2020)
  • Exhibition at Embassy Gallery, “Salon des Refusés,” Edinburgh, UK (Jan-Feb 2020)
  • Exhibition at the Waterworks Visual Arts Center, “Carolina Bohemian,” Salisbury, NC (Sept 2019- Feb 2020)
  • Exhibition at Carrack Modern Art Gallery, “Sticky Note Show,” Durham, NC (Jun 2019)
  • Exhibition at CoMMA Gallery, “Art Responds,” Morganton, NC (July-Aug 2018)
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Painting - BA (Hons)

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