Kizzie MacNeill
RESIDUES OF CUSTOMISATION
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RESIDUES OF CUSTOMISATION, Scenario, 2021.
Awards
Through small acts of customisation in the photographic realm, RESIDUES OF CUSTOMISATION contemplates the behaviour of advancement in the digital age.
My practice explores a digital age where the remix, a regeneration of information, becomes default and acts of customisation become rewarding. Drawing on the manner in which Big Tech presents devices saturated with customisable preferences, I question how habitual acts of personalisation may dilute the strength of the decision, the fact or the finish.
Hosted by a photographic practice, my enquiry utilises the fluidity of the analogue image and considers how it may accumulate audible and three-dimensional qualities through regeneration. I loosen up the construct of the photographic darkroom, trading out the safety of the red light for a techie blue-light brightness.
RESIDUES OF CUSTOMISATION imagines the character of the remix as one that erases the guilt of indecision, with customisation as reward.
Documentation of Scenarios of RESIDUES OF CUSTOMISATION, 2021. // 55m 42s, Pinhole Negative, 2021.
RESIDUES OF CUSTOMISATION, Scenario including ROTATIONS, ROTATIONS, ROTATIONS, SUPERVISOR and STREAMY MINUTES, 2021.
DIAGRAM, 2021. // SO SPEEDY?, 2021.
AQUEOUS DEVICES, 2021.
MY POWERPOINT DARKROOM, Including DIAGRAM and AQUEOUS DEVICES, 2021. // Documentation of Scenarios of MY POWERPOINT DARKROOM, 2021.
Kizzie MacNeill
RESIDUES OF CUSTOMISATION
Follow:
/sites/default/files/2021-06/RESIDUES%20OF%20CUSTOMISATION%20%20KIZZIE%20MACNEILL%202021.pdf
