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Found Objects

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Zaid Prasla Axonometric View of the City
Axonometric View: The Loving Metropolitan Landscape of Edinburgh

Zaid Prasla

Artificial Excavation of Edinburgh: A New Vegetal Being
Architectural and Urban Design - MSc
Michalakis Georgiou Character

Michalakis Georgiou
Contemporary Art Practice - MFA
Annahita Brooks
Rom Font expand

Annahita Brooks

How to Abandon Society and Render Oneself a Liturgic Work of Art: Learning from Benedictine and Franciscan Medieval Monastic Treatment of Space to Create Strategies for Building an Alternative Reality Outside the Law with Art
Contemporary Art Practice - MFA
Charlotta Chan Overview of Transient Seam

Charlotta Chan

Transient Seam
Architecture - MArch
Yixue Liang Ambiguous Objects

Yixue Liang

Ambiguous Objects
Jewellery - MFA
Christine Fleming This is a further development of a run with a soldier and represents the soldier using their surroundings to avoid being noticed by the opposition by using their uniform to blend in with bushes, hedges, grass, trees and mud. The shapes in the top section come from a watercolour study abstraction. The paper symbolises the fragility of camouflage because it’s a life or death situation. I have painted and did the drawings on the inside to represent the point of mimicry is to hide. The fine liner echoes the slo

Christine Fleming

Camouflage
Painting - BA (Hons)
Alexandra Kennedy Making

Alexandra Kennedy

Omneity
Jewellery and Silversmithing - BA (Hons)
Amelia Brown North Elevation

Amelia Brown

Vestiges of the Material and the Immaterial: An Extension to Dulwich Picture Gallery
Architecture - BA/MA (Hons)
Yinghao Li Trajectory of 'Nutrients' Flow

Yinghao Li

Newcraighall 'Material Bank' and Free Market
Architecture - BA/MA (Hons)
Muriel Jayne McIntyre My crime - Suit killer. Digital collage May 2021

Muriel Jayne McIntyre

Display - space - cut - paste - edit - reflect.
Fine Art - MA (Hons)
Imogen Stevens A Tale of One City Wallpaper Sample Photoshoot

Imogen Stevens

A Tale of One City
Textiles - BA (Hons)
Kizzie MacNeill This image displays an installation shot of a flat lay view of RESIDUES OF CUSTOMISATION. In this scenario, three art works positioned in an organic formation on a wooden floor. The height that the image was taken at renders the art works slightly indistinct. The three art works appear to be made from linear structures, and display varying black and white photographic images. One image faintly reads the sequence 55m 42s.
RESIDUES OF CUSTOMISATION, Scenario, 2021.

Kizzie MacNeill

RESIDUES OF CUSTOMISATION
Fine Art - MA (Hons)
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