Location map: Group A's projects 'on the edge'
Location map: Group A's projects 'on the edge'
Line drawing, programmatic axonometric
programmatic axonometric
Ground floor plan and landscaping
Ground floor plan and landscaping
Elevations from Baltic Street (above) and Tower Street (below)
Elevations from Baltic Street (above) and Tower Street (below)
site plan: location, scale, roof, and research-based concept
site plan: location, scale, roof, and research-based concept
Visualisation of the main interior on a quiet summer morning
Internal view on a quiet summer morning
Line drawings, mid and upper level plans
Mid and upper level plans
two short EW sections, at the scale 1:250 at A2
EW Sections in spring
NS section in summer, populated by plants and people
NS section in summer, populated by plants and people
Exploded structural axonometric
Exploded structural axonometric
Construction detail through key section and primary ETFE element
Construction detail through key section and primary ETFE element
Environmental perspective section, with text describing env. elements
Environmental perspective section
Image of model detail, new frame over existing canopy
Model detail, new frame over existing canopy
model (as above) with labels
Model of part of the Glasshouse, describing the stereotomic vs tectonic attitude of the design
Exterior view from Constitution Street Junction
Exterior view from Constitution Street Junction, impaired by current tram development
Overview

The Glasshouse is an expression of a utopian ideal of place-transformation grounded in the realism of structure and programme. It consists of a greenhouse, market, kitchen and restaurant growing inside a clear tectonic framework, sitting on the stereotomic ‘bedrock’ of Leith, on the Edge of the city of Edinburgh, and the Firth of Forth. The building complex is a self-contained unit within the area, but one which roots itself in the history of both people and place, and acknowledges change, looking forward informed by new values of environmental awareness and community.

The project grew from thorough research of Leith and its rich industrial history, specifically looking at glass-making and the idea of local source and produce. The combination of physical and theoretical research created a thorough understanding of the topos, and therefore grounding for the ideals of the programmatic elements. For example, exploring the modern development of glass manufacture and glass-like alternatives – such as the ETFE – became culturally as well as physically appropriate. The name ‘The Glasshouse’ refers to the historical resonance of the place, but new materials are used to create the modern version of the functional transparency in structure.

These interstitial moments are important points bringing richness to the project – expressing the relationship between old and new, masonry and metal, solid and void, person and place. The typos – programmatic elements – relies heavily on an understanding of the environment created, and space pairs itself with appropriate existing and new structure. Ideas of sustainability; the project uses remaining built infrastructure, often as it is, to avoid creating new materials when they already exist, and also honour the physical soul of the building. In our normal talk, to be on the edge is ‘to be in a state of keen anticipation,’[1] which is embodied by this project, in what the architectural future may hold when the edge of existing buildings is fully and creatively considered. A sense of the Edge of Edinburgh and the Firth of Forth, the edge of history, the edge of the future: all meet in the Glasshouse; all seen and enjoyed within its shapes and vistas, its openings and enclosures.

[1]In a precarious position; also, to be in a state of keen anticipation.’ The Oxford English Dictionary 2012 Edit

Project description

AD Tectonics, Unit 1, 'on the edge'

We were tasked with exploring the history, theory and reality of the current Edge of Edinburgh, and by doing so to create a tectonic language that speaks to it. The first half of this project involved group work, culminating in a video and physical artefact of a tapestry of Leith. 

We threaded together industrial footprints of past and presents in a conceptual map. Then embarked on a path of film-making through documenting a physical layering edges of industry and interest onto a sheet canvas using a projector: https://www.youtube.com/watch?v=8CF_qRrkkJY. The process of research and mapping was a base on which to grow our individual projects.

[See group work below]

 

Collage map of Leith, overlapping industrial histories
Group Work: a wet, damp tapestry of Leith, threading together industrial footprints of past and presents
Images of group work, creating a tapestry
Layering, Tracing and Weaving Leith’s Industries into a film
the final 'Tapestry of Leith' held up by Jemima (left) and Ellie (right) in Grassmarket
the final 'Tapestry of Leith' held up by Jemima (left) and Ellie (right) in Grassmarket
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